Dior reconstructs Paris in spectacular Fashion Week show

PARIS (AP) — Dior took over Paris’ iconic Place de la Concorde for a menswear present Friday whose theme was none aside from the town of Paris itself.

Inside an annex, trend editors joined a entrance row together with Naomi Campbell to marvel on the heritage home’s spectacular decor. It created a near-life measurement Parisian bridge, replete with faux birds and pretend water lapping beneath by way of plasma display, only for the 15-minute assortment.

Listed here are some highlights of the fall-winter 2022 menswear shows.


Paris Vogue Week is again from its virus-induced slumber. A minimum of that was what some front-row trend editors uttered upon seeing Dior’s elaborate reconstruction of the Pont Alexandre III bridge, with its large three-dimensional gilt-bronze horse statues and staff-holding nymphs that fashions needed to duck beneath. Million-dollar units like this haven’t been seen in seasons.

In pastel hues that mirrored a winter morning, fashions snaked across the Parisian vista, previous the enduring picture of the Pont Neuf bridge and by the Musee d’Orsay — whereas a recording from home founder Christian Dior on the which means of trend echoed across the corridor.

In trend phrases, the beret — that archetypal Gallic image — made a fall-winter comeback for British designer Kim Jones. This usually limp Parisian staple was reimagined in a structured type, evoking the Saville Row tailoring of Jones’ native London. It was one in all many cases of Dior’s Parisian types having a intelligent U.Ok. twist.

Marking 75 years since Dior’s “New Look” modified the face of trend in 1947, Jones stated he delved into the archive to work on the unique home types such because the Bar Jacket that curves in on the waist. Right here for males, the Bar silhouette was given a really British makeover, tailor-made but constructed deliberately unkempt and unfastened in patterns akin to Glen plaid. Such tailor-made types have been by no means buttoned-up however infused with a avenue vibe — grey sneakers with messy laces, or white pants with elasticated hems.


One of many stars of the tv hit “Emily in Paris,” British actor Lucien Laviscount stated he felt like he was “dripping in Dior” — dressed by Jones to attend the home’s menswear present on Place de la Concorde.

Contemporary from the success of his position because the Season 2 love curiosity, British banker Alfie, Laviscount stated that visiting Paris for Vogue Week meant that “my toes haven’t touched the bottom. That is my second time in Paris. To return again I really feel humbled and honored.”

Misplaced for phrases as he appeared on the decor of iconic Parisian bridges, and virtually as excited because the journalists interviewing him, all he might say was “wow… That is Lucien in Paris!”

As for whether or not the Yorkshire-born actor will return for Season 3, that is still a tantalizing thriller. “Am I coming again? … We’re in talks,” he stated.


The age of e mail and rising environmental consciousness doesn’t appear to have left a lot of a mark on the style business’s antiquated system of invites. Season after season, gasoline-guzzling couriers crisscross Paris to personally ship ever-elaborate, typically handmade, present invitations.

Prime homes vie for the wackiest or most imaginative thought that always bears a clue as to the theme of their runway assortment.

Jil Sander’s present particulars have been printed on an enormous white balloon hidden inside a field whereas Loewe’s invitation, a three-meter pink silk satin ribbon, unfurled dramatically from a small metallic cylinder.

But Louis Vuitton’s was presumably the menswear season’s most creative: Multicolored toy twin woodpeckers on a pole with the home monogram from prime to backside. It symbolized the childhood obsessions of the late designer Virgil Abloh, who died in November.


Jil Sander’s husband and spouse design duo Lucie and Luke Meier have been in high-quality type Friday for a usually pared down displaying for the Milan-based model.

Since 2017, they’ve continued within the minimalist vein of home founder Jil Sander, who has stepped away from the inventive helm, however whose designs as soon as gave her the nickname the “queen of much less.”

Within the American Cathedral of Paris, company on Friday night sat round a big ribbed mild balloon referencing maybe the upcoming Chinese language New Yr. The style model has introduced that it’s celebrating the Chinese language New Yr with a six-piece capsule assortment.

The garments had nomadic edge, with minimalist ethnic headwear and broad clear proportions in assertion coats. The colour palette was restrained. Prospers to the pared down aesthetic included white tops created from white floral-like embroideries that morphed into scarves, and myriad black detailing in one other neckpiece.

Leather-based boots and flashes of leather-based lapels gleamed within the ecclesiastic setting.


On the coronary heart of the style icon’s fall-winter show was the evolution of cinema — from the black-and-white period to technicolor and ending with modern movie.

The film musing was a springboard for the 75-year-old British designer who has constructed a repute along with his daring use of shade — together with his fluorescent pink flagship retailer in Los Angeles.

Monochrome nickel gave a gorgeous sheeny high quality to a loosely tailor-made double-breasted coat — evoking the period of pre-Battle cinema. Sepia, the reddish brown hue related to the monochrome photos of early cinema, was evoked in printed saggy corduroys and an emerald inexperienced leather-based jacket evoked the beginning of technicolor.

Nonetheless, the cinema theme felt a bit misplaced on most of the different designs proven Friday.


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